Washerwomen on the Steps of the Quay, 1850-52 (oil on canvas)

  • Honore Daumier
  • Private Collection
  • oil on canvas

The Studio, c.1870 (oil on canvas)

  • Honore Daumier
  • J. Paul Getty Museum, Los Angeles, USA
  • oil on canvas

The Lute Player (pen and ink)

  • Honore Daumier
  • Private Collection
  • pen and ink

Le Alarmistes et les Alarmes, Illustration from ‘Le Charivari’, 1848 (lithograph)

  • Honore Daumier
  • Private Collection
  • lithograph

Impressions et Compressions de voyage, plate no 9 from the series ‘Railways’ illustration from ‘Le Charivari’, 1843 (lithograph)

  • Honore Daumier
  • Private Collection
  • lithograph

Robert Macaire Agent d’Affaires, illustration from ‘Le Charivari’ 1840 (lithograph)

  • Honore Daumier
  • Private Collection
  • lithograph

Robert-Macaire Avocat, 1836 (lithograph)

  • Honore Daumier
  • Private Collection
  • lithograph

Series ‘Croquis Parisiens’, palet 5, illustration from ‘Le Charivari’, 9th May, 1855 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

The Baptism of Achilles, published in ‘Le Charivari’, 28 August, 1842 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

Rebel grocer fires on the gendarmes during the July Revolution, 1830 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

‘Ah! You want to meddle with the press’, cartoon ridiculing King Louis-Philippe, from ‘La Caricature’, 3 October, 1833 (litho) (see also 162355)

  • Honore Daumier
  • Private Collection
  • lithograph

‘Stupefaction, Compression and Suffocation, First Impressions at the Paris Universal Exhibition’, cartoon from the ‘Exposition Universelle’ series, published in ‘Le Charivari’, 24 May, 1855 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

Turnstile at the Universal Exhibition in Paris, cartoon from the ‘Exposition Universelle’ series, published in ‘Le Charivari’, 26 June, 1855 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

History of killing time, waiting for the opening of the Universal Exhibition in Paris, cartoon from ‘Le Charivari’, 15 May, 1855 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

Refreshment stall during a heat wave at the Paris Universal Exhibition, cartoon from the ‘Exposition Universelle’ series, published in ‘Le Charivari’, 14 July, 1855 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

‘The Triumphal March’, cartoon from the ‘Exposition Universelle’ series, published in ‘Le Charivari’, 14 April, 1855 (litho) (see also 741260)

  • Honore Daumier
  • Private Collection
  • lithograph

‘Oh heaven, my most beautiful vase…. my most valuable possession in this world’, cartoon from ‘La Potichomanie’ series in ‘le Charivari’, 20 January, 1855 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

‘A True Art Lover’, from the series of ‘Good Bourgeois’ caricatures, published in ‘Le Charivari’, May 16, 1847 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

‘A Panic at the Stock Exchange’, caricature from ‘Le Charivari’, December 9, 1845 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

Pot-de-Naz, caricature from ‘Le Charivari’, May 2, 1833 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

The Fugitives, c.1868 (oil on canvas)

  • Honore Daumier
  • Minneapolis Institute of Arts, MN, USA
  • oil on canvas

‘Yes Sir, they had the cheek to reject this picture from the exhibition…you can see for yourself how conscientiously I showed the crucifixion of my saint…not a nail is missing..’, from ‘Le Charivari, 14 February, 1851 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

‘The Paris Urchin in the Tuileries’, from ‘Le Charivari’, 4 March, 1848 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

Caricature of Louis-Philippe with the French Attorney General, from ‘La Caricature’ ,11 September, 1834 (litho)

  • Honore Daumier
  • Private Collection
  • lithograph

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